the webcomics blog about webcomics

The End Of A Very Bad, No Good, Horrible Week

But even here there must be some encouraging news, yes? Yes.

  • Encouraging News The First: Lucy Knisley’s latest book, the absolutely stellar Relish, has made the New York Times graphic novel bestseller list, debuting at #8. For reference, that puts Knisley above Batman¹.
  • Encouraging News The Second: Sometimes I’m shocked about what I look back and find that I haven’t written about on this page — particularly when I’m convinced that I did at some point. For example, PostScript, by brothers Graham and Neal Moogk-Soulis, which deals with what happens to fairy tales after the happily ever after part². Five years they’ve been at this, and I haven’t mentioned them until now? Bad hack webcomics pseudojournalist!

    Anyways, Los Bros Moogk-Soulis are celebrating with a site redesign and a fifth print collection, and debuting it next weekend at the Calgary Comic & Entertainment Expo. Oh, and comics; many, many fine comics. Should you see Neal and Graham on the wide prairie next weekend, give ‘em a big high-five and strongly consider picking up their books; there’s some good stuff in there.

I don’t know about you, but I’m feeling better now. Let’s hope that all the crap that’s been foisted on us this week sees fit to stay there as we move forward together.

_______________
¹ Also the still-there-after-56-weeks Smile by Raina Telgemeier, hanging in at #10. I’m not sure that book will ever fall off the list.

² Not that happily ever after is how fairy tales always end; my favorite is the Polish ending that I recently learned about, where the storyteller states … and I was there too, and we drank mead and wine.

Because Nothing’s Better Than A Weiner Dog Wearing Dapper Clothes

Those of you that follow Becky Dreistadt and Frank Gibson in their various endeavours may know that they’re in the midst of a continent-hopping trip that took them from their home base in LA to New York, London, the Low Countries, Germany, Austria, and they still have parts of Europe and then Japan to go¹. Those of you that follow them may also know that Becky paints about 300 of her watercolor/gouache paintings a year, which makes for a challenge when so much of your life is taken up with travel, conventions, and suchlike. So it’s good to know that even on vacation, when the muse strikes Becky’s gonna paint the everloving heck out of that muse, and it’s going to be awesome. I’m going to go out on a limb here and say that the sketchbooks and notebooks full of words and pictures that they’re presently filling will make for one hell of a travel story and I can’t wait to see it.

  • Speaking of paintings, I just learned of an art show that I had to share with you. Way back in the long-ago, there was a wonderful webcomic called Patches by the equally wonderful Kelly Vivanco, which went on hiatus at roughly the same time that Vivanco started producing moody, dreamy, whimsical-on-the-verge-of-disturbing paintings².

    If you find yourself in the Greater Los Angeles area on Saturday, you may want to head to Culver City, as Vivanco will be opening the latest solo exhibition of her paintings at Thinkspace, which is found at 6009 Washington Boulevard. The opening reception (read: snacks and booze) runs from 6:00pm to 9:00pm, and the show itself will be up for three weeks.

  • Anybody have an eBay account and a sense of justice? Firstly, observe Mary Cagle’s really wonderful Kiwi Blitz, say this page right here, and note the young lady with the hat and the artificial leg. Secondly, this eBay offering, which features a suspiciously similar young lady with a hat and an artificial leg for sale, and which is not offered up by Mary Cagle. Next up, the Report Item page, which requires an eBay account, and where one can (I imagine) notify eBay that Mr or Ms Vinylcustom is violating the rights of an independent creator. Remember the rules, kids: be factual, and be polite.
  • Kickstarter roundup: TBONTB:ACFABRNAAWST is just over a week into its campaign and closing in on US$200 large³, the Johnny Wander bookstarter needs to think up more stretch goals for its last four days, as it’s blown past the last one. Also, I saw that Neil Gaiman retweeted the Kickstarter twitterfeed, and I said to myself, Self, that sounds familiar:

    The beautiful blue businesswoman Gabrielle explodes from Claire’s toilet and informs her she’s pregnant with the new Messiah.

    And indeed it was, which is how I learned that Sister Claire has a Kickstarter going to print the first eight chapters (or roughly 200 pages) of relentlessly cute and just the right amount of blasphemous webcomickry for your reading pleasure. I see that creator Elena Barbarich (or Yamino, if you prefer) has reached about the 86% mark in about three days, meaning she’s statistically certain to make goal4 and surpass it. Oh, and obligatory disclaimer: Ms Barbarich, like seemingly half the kids I know in webcomics these days (cf: Gibson, Dreistadt) went to college with my niece, so there’s that.

_______________
¹ Even better, they managed to hop across the Hudson while in New York and visit me and my wife, on account of they are awesome people.

² They’ve always reminded me of fairy tales, at the moment just before everything starts to go seriously wrong.

³ It helps if you read that in the voice of Rodney Dangerfield when he shouts Hey everybody, we’re all gonna get laid! [audio]

4 Fun fact I learned at the B9 panel at NYCC this year: Cindy Au (Director of Community for Kickstarter) shared some statistical information that included the number 1/3. Projects that fail typically do not get anywhere near goal, and almost never make it even 1/3 of the way to goal; projects that make it to 1/3 of goal almost always go on to meet or exceed goal. Neat!

The Toronto Man-Mountain: Proof!

Didn’t spend a whole lot of time at NYCC yesterday for the you’ve-got-to-be-kidding-me-noon-til-nine-pm Preview Day, just long enough to touch base with the Benign Kingdom table (the new B9.5 hardcovers are absolutely gorgeous, as are the TKT hardcovers — I’m going to have some very welcome packages arrive at the Fleenplex in the coming weeks), say howdy to Zach Weiner (he’s selling disposable monocles!), pick up a copy of the new book from Matthew Inman (I unfortunately didn’t have time to discuss the purchase of the future Tesla Museum grounds at anything resembling full length), bump fists with the Most Handsome Man In Comics, and have two slightly longer conversations. Saturday will be hanging with creators day. As to those conversations:

  • So, yep, you may have already seen the announcement that Chris Hastings, Anthony Clark, and Cardboard Cutout Ryan North made yesterday on behalf of ShiftyLook: they’ll be doing an ongoing webcomic based on Galaga, of all things. The problem being, Galaga doesn’t really lend itself to a story so much.

    Enter Ryan North, Human Giant (that picture up top? the cardboard cutout is life sized¹). He’s constructed a storyline around two teenage girls (who Chris Hastings tells me he was very glad he got to design not as your typical comics version of “teenage girls”, namely, “undiscovered Playmates” … they will be actual person-type girls) who manage to take salvaged bits of alien tech (which look an awful lot like giant pixels) and build spaceships in their backyard to defend the Earth.

    The launch date for the new comic is officially (and cheerfully, may I note) described as The Future!, so keep your eyes on this page for further information. In the meantime I’m going to go out on a limb and say that three established, talented creators with a history of tearing it up when working together are going to deliver a great series. I’m also going to go out on a separate limb and add how thrilled I am about all the creators whose work I love that are getting work on different properties, expanding their name recognition, and establishing themselves as talent beyond their core audiences.

    I love Dr McNinja as much as any man alive (and maybe more than most), but some day Hastings will have told the last story he wants to tell about the good doctor and his friendly staff, and I want him to have an income when that day comes. A diverse set of projects (such as ShiftyLook and all the Adventure Time spinoffs²) and a reputation for meeting deadlines make that future day all the brighter.

  • Speaking of diversity of projects, Kel McDonald found me yesterday to drop some news. On the heels of Cautionary Fables & Fairy Tales hitting general availability, she’s making plans for the next anthology. Okay, sequel to a popular item, no big deal, but McDonald is looking at doing something new — the next CF&FT abandons the familiar ground of Grimm, Andersen, et. al., and will have as its theme African stories, which have never gotten a wide purchase in our popular culture.

    Even better, McDonald reports that in addition to returning creators from volume 1, she’s got a commitment from Dylan Meconis (who knows her way around a fairy tale or two). If that weren’t ambition enough for you, the plans are to take a continental approach and have each subsequent volume focus on a different tectonic landmass (volume 3 will most likely tackle Asia). Taking things to their logical conclusion, Kel and I brainstormed an approach for an Antarctic story³.

    If you want to take a shot at inclusion, you’ve got time to put together your best work — McDonald is allowing a solid year before the stories are due, and the Kickstarter to pay for book production will go up in October of 2013. Naturally, she’ll be working on plenty of other things in the meantime, but we’ll just have to wait until she’s ready to announce ‘em.

  • Side note: while on the floor, I was approached by a very nice young lady (and I’m very sorry, I didn’t get your name, I suck) in a Big Gay Ice Cream (try the Salty Pimp, it’s amazing) t-shirt who wanted to let me know when the Big Damn Homestuck Photo Ops would be. Unfortunately, I won’t be able to make it to them (I’m not at the show today, and on Saturday it’ll conflict with the B9 panel), but I did promise to help spread the word.

    If you want to witness the power of what Andrew Hussie has unleashed, it’ll be at 4:13pm today and Saturday, on the second floor, around the corner from the coat check. Look for the candy corn horns and watch their numbers swell until you realize that you’re really glad that Hussie has decided to use his powers for good and not evil.

_______________
¹ Don’t believe me? Check out Ryan at stately TopatoCo Manor from last weekend. In fact, check out all the photos from the Greatest Wedding Ever, which are to be found here. My favorites, in no particular order:

² Speaking of Adventure Time, the not-yet-released AT videogame exists on a pair of handhelds at the ShiftyLook booth. Look for the giant Finn & Jake and find the table below their butts.

³ This is the story that the penguins tell: In the first days the Great Sky Penguin made a vast land of snow and ice, with lots of fish and leopard seals waaaaay the heck over there, and decreed we should walk back and forth from the nesting grounds. And that’s why we’re in this long line while our spouses are sitting on the eggs. The End.

New York People, Mark Your Calendars

While we all know that New York Comic Con opens later this week (Thursday for VIPs, pros, etc., Friday for everybody), and we at Fleen have mentioned some of the programming taking place, there will also be a variety of creators appearing and times and in places on the floor that you may wish to note.

  • First up, Scott C, who has a pair of panels, will be spending much of his time on the floor around publishers Titan (booth 832) and/or Insight (booth 1882), with signings on Friday and Saturday. Full details at Mr C’s website. Also moderating a panel on Friday evening, and sliding between Artist Alley (far north) and the ShiftyLook booth (far south, and more about them in just a bit): Jim Zub, the hardest-working man in comics. Seriously, if James Brown worked half as hard as Zub, he’d still be on stage despite having died in 2006.
  • No panels, but Meredith Gran will be tabling with First Law of Mad Science creators Mike Isenberg and Oliver Mertz (booth 2276); Gran won’t be at the show until Friday, but when she does, she will have (among other wares) copies of this week’s new issue of Marceline and the Scream Queens. Algebraic!
  • Easiest for people who aren’t going to NYCC to catch up with will be the parade of creators and announcements at the ShiftyLook Arcade O’ Fun (booth 3374), since they’re livestreaming much of the weekend. If you want to catch Anthony Clark, Christopher Hastings, and Cardboard Cutout Ryan North’s big announcement, that will be Thursday at 5:00pm. Given that it’s with ShiftyLook, and with ShiftyLook does old Japanese videogame properties, you can probably guess at the outlines of the project, but let me share this bit: It’s a major property, with maybe the highest name recognition of anything that SL has done so far.

    Considering the amazing job that North has been doing writing the Adventure Time comics, and given what an unstoppable lineart/coloring team Hastings and Clark form, I’m predicting that you will be pleased when the announcement drops. If that weren’t enough, Clark, Hastings, and CC North will have various signings, meet/greets, and interviews throughout the weekend, as well as an appearance with Gran at SVA (students/alumni only).

  • Know where else Clark will be? Over with his Benign Kingdom (booth 166) compatriots, which may include at various times Yuko Ota & Ananth Panagariya, Aaron Diaz¹, KC Green, Becky Dreistadt & Frank Gibson, Evan Dahm, and if fortune smiles on us all, George. Rumor has it that copies of B9.5 may be present for your obtaining.
  • Side note: KC Green, as previously mentioned, will also be spending time in Artist Alley with Kel McDonald (table J8). And hey, you know what else Green and McDonald have shared recently? Contributions in the Cautionary Fables & Fairy Tales anthology, which is now available for purchase by non-Kickstarter backers. Know what else is also now available for purchase by non-Kickstarter backers? The Spike-curated Smut Peddler, featuring quality it-on-getting as lovingly depicted by the cream (so to speak) of the crop of webcomickers.
  • Speaking of independently-created books that are getting a lot of good notices, know where McDonald, Spike, and other creators just might want to invest one copy of their books and about five bucks in shipping? How about the home base of a well-respected bunch of media junkies:

    Will you review my CD / book / movie / video game / poetry / pottery?
    Maybe. Probably not. But maybe. Please bear in mind that we’re presented with an enormous amount of material every day, so it’s simply impossible to respond to every item that crosses our desks, much less review it. Items for review consideration can be sent to The A.V. Club at our Chicago office (The Onion, 212 W. Superior St., Suite 200, Chicago, IL, 60654), but we absolutely cannot guarantee that anything you send us will be covered.

    They get a lot of stuff, but I imagine they get fewer comics than DVD screeners and music, so if you think you’re good enough to get noticed by the big leagues, take a shot. And what the hell: I don’t guarantee that anything sent to me will be covered either, and many, many more people read The AV Club² than read my little corner of the internets, and people still send me stuff.

________________
¹ Site note: Diaz will no longer be referred to on this page as The Latin Art-Throb; rather, he will now on first reference be annotated as Tolkien Scholar Par Excellence.

² Many, many more.

My Last Word On Kickstarter Until The Next One

No kidding, you guys, I have been crunching numbers on successful Kickstarter campaigns since last week, and everything I look at reveals as many questions as answers. Time to share what I’ve come up with, and what I think it means.

To start with, a few definitions:

  • I wanted data sets with large numbers of contributors, so I set a floor of US$10,000.
  • Projects are being added all the time, so I picked an arbitrary time of June 8, early afternoon EDT as the time to collect numbers; TwoKinds was still collecting funds for another 26 hours at that point, but I don’t think that will cause a major shift.
  • There will be roundoff errors — there are projects where backers pledged at a level below the first reward tier, and they don’t show up.
  • I’ve reduced the backers into dollar ranges that don’t necessarily match one-to-one with each project; when I say 100 people backed this project at the US$100 level, it means They gave more than the next lowest category (US$75), up to and including US$100, despite the fact that the actual pledge amount may have been US$80, or US$93, or some other increment in between those endpoints. Again, probably won’t have a big effect on the final conclusions.
  • I’m looking at webcomics, for which there is not a clear category; most of the projects listed in this analysis came from the Comics category, but I allowed others in, provided that they were from prominent webcomickers, and driven primarily by that creator’s identity/property.

    This means that some tough choices got made — I included some anthologies like Smut Peddler, Cautionary Fables, but excluded Daisy Kutter. The Schlock Mercenary game and SFAM bunnies are in, but Scurvy Dogs isn’t. If you think I should or should not have included a particular project, I invite you to gather your own numbers.¹

For reference, the projects included Dreamland Chronicles volumes 4 and 5, Athena Voltaire, Cautionary Fables, Modest Medusa volume 1, nemu*nemu 2011, Multiplex volumes 1 and 2, Poorcraft, Regalia, TJ & Amal volume 1, Spacetrawler volume 2, Sfeer Theory issue 1, Skin Horse volume 3, Rice Boy one-volume, Order of Tales one-volume, Boxer Hockey/Diesel, Wormworld Saga app, Double K volume 1, Narbonic perfect collection, Tiny Kitten Teeth hardcover, Girly complete collection, Dumbing of Age volume 1, Kickstand Comics 2, 3, and 4, Goats volume 4, Benign Kingdom, Cucumber Quest, Extra Ordinary Comics volume 1, Smut Peddler, Erfworld motion comic, Order of the Stick reprint drive, TwoKinds, Monster Alphabet board book, Schlock Mercenary boardgame, Borogove card game, Dr McNinja video game, Glorkian Warrior video game, SFAM bunnies, and Uncle Rich’s crazypants largest e-book in history.

Some basic stats:

  • Thirty nine projects
  • 39,727 rewards-level backers
  • A total normalized value of US$2,424,955

That word is important — normalized. Given that individual reward tiers were grouped together for convenience (Rich Burlew had more than 60 by himself), the normalized value was derived by multiplying the total number of backers in a dollar range by the assigned value of that range. This is likely overestimating the value somewhat, but a surprisingly large number of the reward tiers fell at or near the chosen range values².

Here’s what the total number of backers at each level look like; there’s no legend because there’s too many projects, just get a look at the overall shape:

Big vertical spikes for OoTS, but notice how you can’t really see which levels dominate until you get to the higher levels and there’s almost nobody. Now we’re going to show something different — same data, but stacking the totals in each dollar range on top, adding the OoTS numbers to the Poorcraft numbers to the SFAM numbers, plus another 36 projects:

From this we can see that the low-value tier (up to and including ten bucks) is the most popular, with more than 15% of pledgers there; not all projects offer any kind of reward at that level. Now here’s what surprised me — I’ve been saying that the sweet spot in Kickstarter rewards is between about US$30 and US$75 for a while now, and there are peaks at 25 and 75, and pretty healthy stacks in between those two points. After 75, the numbers have a pretty clear down trend except at 250, which is almost entirely an outlier.

That’s because a few high-count projects (OoTS, Poorcraft, Borogove, and Diesel Sweeties) are dominating some of these levels. Just to play “what if”, I’m going to take those four projects away, since nearly everybody that starts a Kickstarter will not have responses like those four; don’t worry, I’ll put it back in, but I was curious to see what happens when the outliers went away:

I left the vertical scale the same so you can see the impact — 75 now dominates, and the highest dollar value with a significant count occurs at 150. Interesting. Also, I just noticed that when I screen-shotted that chart, there was a pop-up label but screw it, I’m not going back and doing it over. Y’all can just deal.

Back to the issue at hand, maximizing those supporters by any means isn’t the key thing, unless you don’t mind going broke fulfilling a Kickstarter campaign’s low-value rewards — each of those low-dollar supporters might incur a couple of bucks of postage, effort, or bandwidth if they get a reward. The question is, do you want to work on volume or on margin? Which is why the next picture is the important one:

What you are looking at is the total dollar value for each of those tiers — as noted above, this is going to be approximate, since anybody that pledged between 1 and 10 bucks gets counted as a 10 dollar donor, but that effect of overvaluing is most pronounced at the lower tiers. And look at those tiers — the 10 dollar tier accounted for 15% of donors, but only supplied 2.5% of total dollar value, and that’s with an overvaluation. The peak value points are at 75 and 250, and you can ignore 250 because that’s literally about 90% due to Burlew alone (likewise the spike at 300, which is about 97% Burlew).

In fact, when looking at value, we have to ignore pretty much everything above US$200 — the only tiers above that point with enough backers to be statistically significant are 250 and 300, and since they’re almost entirely down to the stick figures, they don’t apply to ordinary projects by you. So if Rich Burlew’s project was an anomaly that shouldn’t be relied on for predictive power where it’s radically out of sync with other projects, what should we be looking at? I’d like to introduce you to something I’m calling the Value to Count Ratio.

Put simply, if 5% of your backers produced 5% of your value, that’s expected. If 5% of your backers produced 20% of your value, those are people and habits that you want to identify and seek out. 5% of your backers producing 1% of your value are under-providing slackers that are worth less of your time. Divide the value of a tier into the total value of the data to get a percentage; likewise, divide the backer count for a tier into the total number of backers for a second percentage. As stated above, the 15% of backers at the 10 dollar tier only produced 2.5% of value — meaning slackers. How much? Value% divided by Count% gives a ratio of 0.16383, well below the 1.0 level that indicates expected performance. Here’s what the ratios look like:

Remember, value ratios under 1.0 are underperforming, and above 1.0 they’re overperforming. Don’t worry about numbers past 200 — I’ll concede that the ratios get explosively large, but you aren’t going to get enough pledges in that range to make the effort in tailoring your campaign to those high-value donors worthwhile (not that you should entirely ignore them — see below); for our purposes, they’re an attractive nuisance. Instead, we’ll note that 75 is once again a significant value, where the ratio gets into overperforming territory. But remember — 75 is also the peak-value point. This is leading me to somewhat revise my earlier conclusion that the US$25 to US$75 range was the sweet spot.

True, that’s going to be where you get nearly half of your backers (49.91%, to be precise), but it underperforms by a decent interval on value (36.60%; ratio of 0.7333). It’s still where you want to pitch the majority of your rewards, though you should set up some high-value rewards in the US$100 to US$200 range³ to sweep up the generous donors. Note that limited rewards in this range seem to almost always max out their selection when 20 or fewer are offered; it may be the scarcity drives a few on-the-fence types to adjust their purchase upwards. This is probably also where you want to introduce the greatest number of additional goodies unlocked by stretch goals.

So taking my earlier advice of US$25 to US$75 as the prime range, and adding in my new appreciation for rewards up to US$200, we find this wider range accounts for 62.786% of backers and 62.785% of value captured — a ratio of 0.9998, which is as close to balanced performance as you can get. Bringing in the low-value tiers (US$20 and under) only adds another 7% or so to value, but accounts for a whopping 94% of all backers.

Conclusions: You want to put the bulk of your rewards in the US$25 to US$75 range, with some nicer onces (maybe limited availability) up to the US$200 point. Anything in the lower tiers should be minimal cost to you to produce and distribute, since you’ll be producing/distributing a lot of them for not very much income. Go ahead and have some pie-in-the-sky rewards at US$250 and up, but realize it will be rare occurrence that somebody actually takes the bait.

Tomorrow — how some projects are rude and don’t follow the patterns. We’ll see if there’s anything about these outliers that can be made to make sense for the typical project.

_______________
¹ Seriously, please do. My decisions were consistent, but could be considered arbitrary, and the number of projects is at the low end of anything I’d ascribe statistical significance to. Then again, large number of backers. Then again-again, fan behavior is not easily modeled.

²Those chosen values were (all in US dollars) 10, 15, 20, 15, 30, 40, 50, 75, 100, 125, 150, 200, 250, 300, 400, 500, 60, 750, 1000, 1500, 2000, 3000, 4000, 5000. Several projects had listed reward tiers up to 10,000, but no pledges were found above 5000, so that’s where I stopped. Each of these ranges, by the bye, has at least one backer.

³ Many of the campaigns had a fair number of limited rewards, which can throw off these analyses something fierce — but for the most part, they didn’t occur until the US$100+ tiers, which minimizes their impact.

Handy Visual Reference For You

So the Eisner nominees got announced the other day, and I was pleasantly surprised to see some of the work that was recognized, along with unpleasantly surprised to see some of what was omitted. In other words, a completely typical year. Let’s start with the nominees for Best Digital Comic, which we will recall are:

[O]pen to any new, professionally produced long-form original comics work posted online in 2011. Webcomics must have a unique domain name or be part of a larger comics community to be considered. The work must be online-exclusive for a significant period prior to being collected in print form.

That would be represented this year by:

They are, respectively, a piece of comics journalism (16 pages), a serialized fantasy story (ongoing), a serialized adventure story (wrapped at 118 pages, second story forthcoming), a fairy tale from the POV of the participants (22 pages), and a macabre story reminiscent of Momotaro (5 infinite canvas installments, equivalent to approximately 100 pages). Bahrain is the only one new to me.

The nominees provide a nice glimpse into both the the strength and the weakness of the category — there’s an incredible variety of work, but it’s just as hard to decide what the requirement of “long-form” means. Serialized ongoing story? Check. Done-in-one? Check. Seemingly anything that’s not a continuity-light gag strip or single panels would qualify, but there’s still a conceptual difficulty in seeing works that are five to ten times longer than others in the same category. Still, if I have my questions about things that might have been nominated (top of my list: anything Emily Carroll did in 2011), it’s entirely down to preference; there’s nothing on this slate to be embarrassed about.

Speaking of missing, I understand that the nominations are mostly drawn from submissions sent in by the creators themselves (or their publishers), but I’m wondering about some things that were left out. While the submission policies don’t explicitly say that the judges can include overlooked works that weren’t submitted, I have to believe that such discretion wouldn’t be frowned upon either¹. All this to say, no nomination for Hark! A Vagrant for either Best Humor Publication or Best Graphic Album — Reprint? Kate Beaton was everywhere in 2011 (and deservedly so), inarguably one of the two or three biggest stories in comics², and likely the one that reached the most people outside our rather insular community. Her absence is baffling.

That being said, having been on the inside of an awards process this year — and having taken some lumps for it — I can say with certainty that I have much more sympathy for Jackie Estrada and the Eisner committee than at any prior point in my life. It’s an imperfect set of nominations, because no process for choosing and no people involved in that process can be perfect. I trust that everybody involved did the best they could with honest intentions. Nor could I be annoyed with any nominations list that includes the likes of Dave Kellett (for Best Humor Publication), Colleen AF Venable (Best Publication for Kids (ages 8–12)), or Vera Brosgol³ (Best Publication for Young Adults (Ages 12-17)). Congratulations and good luck to all the nominees.

  • In other news, Brad Guigar has taken an idea and run it in a new direction. Rich Stevens messed around with releasing a month or so of Diesel Sweeties strips as an e-book (mostly to play around with iBooks Author), which Guigar is also doing right now with Evil, Inc., but with a twist. Brad’s download lets you see into the future. The entire month of April’s storyline (and please recall that today is only the sixth day of April) is packaged up and can be yours for a buck and a half.

    I’ve seen webcomics collections hit print with a few strips at the end still to run online, but I can’t recall such an example of sneak peak access before. Approximately 24 hours after announcing the deal, Guigar found the response strong enough that he’ll be repeating in May, and hints at further developments. For those wondering what he would do with all that extra time, Kicking his buffer in the ass appears to have been at the top of the list.

  • Jeph Jacques is heading to the entirely classy environs of Yale University on Thursday, 12 April, for a Master’s Tea, which (as noted previously) is a Big Damn Deal. Not noted in print previously — but believe me I noted the crap hell out of it privately — Yale does a really terrible job of providing any public information about said Teas. We’re six days out and the only schedule I can find only goes up to the 10th. There are many colleges at Yale, and this tea might not be held at Pierson, or maybe it will?

    Basically if you want to go, I’d advise hanging around the Pioneer Valley on Thursday morning until you see a large man with tats and piercings and a Great Pyrenees headed south towards New Haven, and follow him.

_______________
¹ The guidelines do say that the judges could add, modify, or delete entire categories (and it’s my understanding that happened this year), which to me is a much broader power than merely including additional works for consideration.

² NB: not just comic books.

³ I told you Anya’s Ghost was the best comics of the year. Also, disclaimer: stuff that I wrote appears in Kellett’s book.

Things That Happen Today, Or In About A Month. We’re Not Picky.

About now as I’m writing this, the last — hopefully not too frantic — polishes are being put on two corners of webcomics, each of which will lead to new and hopefully wonderful things. A third corner is polishing up something different, but we won’t be able to tell how shiny it gets for a while.

  • Firstly, this:

    Hi everyone. I quit my job today. I will be working on Gunnerkrigg full time now. There will be a proper announcement on Monday.

    Tom Siddell has made the leap into full time comickin’, and I believe all right-thinking folk will agree that he’s going to do very, very well. If absolutely nothing else comes of it (and much will), he won’t have to hold himself to doing three strips on the weekend before allowing himself to relax any longer. Best of luck, Tom, your comics are great and you should feel great.

  • Wondercon 2012 opens in a couple of hours, and anybody making the annual trip to San Francisco should first realize they’re in the wrong place, on account of it’s in Anaheim this year. Um, sorry ’bout that. Webcomicky people are to be found there in the small press and main floor area, including (but mostly likely not limited to:

    Small Press

    Table 11 Jimbo Hillin and the Wire-Heads crüe.
    Table 48 Evan “Overside” Dahm and Kel “Sorcery 101and also some fairy tales” McDonald.
    Table 49 Kory Bing, who does many things, as does Sfé Monster, along with Dave Shabet who mostly does Dead Winter.
    Table 51 Party Tymez with Ananth and Yuko and Becky and Frank and maybe you.
    Table 53 Ben Costa, Dean of Iron Crotch studies at Iron Crotch University¹.

    Main Floor

    Booth 452 More keen-ness than you can handle with Keenspot.
    Booth 504 The closest thing to functional adults in our community, Professors Foglio.
    Booth 615 A man haunted by a house move which is still in progress², Dave Kellett.
    Booth 617 Did somebody call for handsome men? Kris Straub and David Malki ! heed your cry.
    Booth 716 The poster children for Kids, Don’t Do That, Danielle Corsetto and Randy Milholland; give ‘em both a big ol’ kiss for me.

  • Are you the sort that wonders where you can spend your hard-earned entertainment dollar in a month or so? Simple! You should give it to Jorge Cham, who in return will send you The PhD Movie either via stream or DVD! The countdown timer on the movie page is, even as we speak, ticking forward at a rate of one second per second, towards that golden day (15 April) when you can enact this transaction. Yay!

_______________
¹ Since the Shi Long Pang books are published by Iron Crotch University Press, it follows that there would have to be an Iron Crotch University, right? I just want to know what their sports mascot is. I bet its nickname is “Rusty”.

² Prediction: if you ask him how the house move is going, he will likely be his answering with Buuuuhhhh.

Mad Race To The Finish

Namely, getting things wrapped up for the work client; very little time, and probably none tomorrow. On the other hand, you’ve gotten a couple thousand words out of me already this week, and I imagine you’re good with a light day or two.

So let me give you one thing that’s caught my (rapidly skimming in between work obligations) eye today, as it combines two of my favorite things: respect for fairy tales and Ursula Vernon. She’s offering up some old-school European tales (complete with Aarne-Thompson type codes) with her own commentary, complete with keen observations that sometimes you can’t tell who the protagonist is, who the adversary is, and how sometimes either or both switch back and forth from magnanimous to malevolent, or clever to stupid:

All those who think that the prince will have learned to listen to the absurdly competent Master-maid and will be very sure not to break his promise, raise your hand!

Okay, if your hand is raised, you have failed Fairytales 101. Please report to the office for our remedial class, entitled “Why We Do Not Insult Old Women At Wells And Other Vital Lessons.”

That would be from The Master-Maid, which I’m certain I’ve never read before, but which seemed oddly familiar in places (Aarne-Thompson type 313), and which offers up a casual reference to an unexplained artifact/creature/I don’t know and assumes we should recognize it:

Okay, forget the rest of the story, what the heck is a river-sucker? And how is it so completely common that the storyteller doesn’t even bother to explain—”You know, a river-sucker, jeez, what’re you, dumb?”—as if they’re as common as horses, stables, and porridge.

I don’t know what a river-sucker is, but I halfway expect one to show up in Øyvind Thorsby’s Hitmen for Destiny¹. The other, shorter tale is The Blue Light (Aarne-Thompson type 562, which I recognized as a variation of The Magic Tinderbox), which is a stellar example of story where the “hero” has some real dick tendencies. Good times!

Okay, I lied, one other thing to recommend to you: Lore Sjöberg (proprietor of Wired magazine’s Alt Text, the sadly-offline Bad Gods, and the least creepy white cargo van in the country) has managed to resurrect his most famous endeavour, The Brunching Shuttlecocks! This means the return of most of Bandwidth Theater (including the much-beloved Kitchen Floor²), and many of the Lore Brand Lore comics. Significant portions of his work still await reconstruction after the devastation wrought by particularly malicious spammer/hackers³, but as the world is no longer lacking a short animation featuring a depleted-uranium beholder statue, who am I to complain?

______________
¹ NB: Øvind Thorsby remains an awesome name, and that Hitmen for Destiny remains … challenging in its art.

² Warning: this short not only contains a depleted-uranium beholder statue, but also two (two!) of the most creative pieces of profanity that have ever been uttered. It’s glorious.

³ Or should that be “spammers/hacker”? Can I get a ruling, Ryan North?

Finally!

Benign Kingdom¹, which Kickstarter was sitting on for a while, has gone live. The principals involved are Yuko Ota, Evan Dahm, Becky Dreistadt, and KC Green (who’s involved in nearly every cool comics Kickstarter anyway). They’ve got four art styles that are radically different from each other, but each of them is at the top of their game and will do an amazing art book.

In addition to hitting 25% of goal in the few hours since their campaign went live they also have a secret weapon that all but assures success.

Ladies and Gentlemen: George².

He’s got a history in running independent publishers, a day job making comics happen for Oni, who have published one or two comics projects you may have heard of. He’s worked either high-level staff positions or behind the scenes of numerous conventions, appearing where things needed to be done and making the necessary arrangements. His cheery demeanor masks an organizational genius, one for whom the words on time and as promised carry the same import as I like to breathe do for ordinary civilians. It’s his involvement that makes me believe this line from the Kickstarter pitch:

If this goes well, it could be the foundation of a much bigger project in the future: Benign Kingdom could print more books, and maybe involve other artists! Thank you very much for your support!

… has already been planned for, and merely awaits the passage of time to bring to fruition. This isn’t a one-off, it’s a new publishing venture, much like Box Brown’s Retrofit Comics, with the intent to bring you stuff you wouldn’t get to see otherwise, from creators who need to connect to their audiences in a fundamental, dollars-and-cents way. In the time that I’ve been writing this, another 5% of funding has been achieved, including a top-tier reward³ (which I confess, I didn’t think would sell, but shows you what I know) claimed. Right now it’s four friends (plus George) working to a common goal, but in a year or two it could be the next Flight.

_______________
¹ For the moment, it’s not showing up in Kickstarter search, so use the direct link. I imagine that wil sort itself out in the next day or so.

² Or Mr Rohac, if you’re nasty.

³ The top-tier goes for US$1250, and the key differentiator from lower tiers is: You are drawn as the ruler of Benign Kingdom, by the four artists. As of this writing, four more instances of this reward are available, which opens the possibility of a dynastic conquest for the Benign Kingdom’s throne as the various pretenders vie with each other for supremacy. The resulting blood feud is expected to last for two and a half centuries.

The Long, Quiet, Year-End Slowdown Has Begun

Creators heading tither and yon to be with their families and loved ones, updates cued for delivery, newsmaking announcements back-burnered until the new year … just saying, things could get pretty quiet over the next week or so.

  • Okay, so the assorted SMBC Enterprises projects are gonna hit 500% of funding goal whenever they put something up for support, but is there anybody that can beat that on a percentage basis? Glad you asked. Allow me to point out that the board book project by Dern and O Abnormal is (as of this writing) sitting at more than 1350% of goal with a mere 29 days to go.

    One might attribute the massive oversuccess to several factors, including (but not limited to):

    • The relatively sparse number of kid-targeted offerings among webcomicker Kickstarts
    • The relative scarcity of independent board books in general (cf: inquiries as to where to find a board book printer)
    • The relatively low point for funding (a mere US$500)
    • The objectively awesome subject of the funding — a kid’s alphabet primer based around monster-type critters, with iambic heptameter rhymes to ease your little replicants to sleep

    In any event, you still have time to get your own copy of The Monster Alphabet for as little as US$12 (which is a bargain for board books, especially considering the wee one will probably try to eat it at the first opportunity).

  • Speaking of Kickstarter successes, about 240 people will have to clear space on their bookshelves, as the massive one-volume version of Order of Tales completed its funding round (with a comfortable 50% to spare). Order of Tales creator Evan Dahm will also have to clear some prodigious space in his apartment to store the print run, and hopefully included in his US$12,000 budget some money to hire Strong Men to cart all the boxes around. My back twinges in sympathy for whomever has to move that print run from place to place.
  • Still on the Kickstarter front, Kel McDonald’s fairy tale anthology has three weeks and 29% to go to reach full funding. If it keeps up present trends, it ought to clear goal with a bit of a cushion, but don’t let it get caught in the end-of-year rush — hardback copy of a 200 page book from comics superstars, for delivery in March? This is a woman who has her publishing plan together, and in a creative field that regularly blows deadlines and pays creators late, that is sufficient reason by itself to lend support.
  • Finally, today marks the 500th update for Octopus Pie. That’s 1682 days, or less than four days between updates, all of which were full pages, showed ever-growing artistic and storytelling mastery, and some of which were goddamn masterpieces. Meredith, you keep getting better and better, and it almost hurts me to think how good your work will be in another 500 updates. Brava.


This blog is protected by dr Dave\'s Spam Karma 2: 307578 Spams eaten and counting...